Virginia Grindcore Veteran Drugs of Faith Unleashes “Asymmetrical”
Table of Contents
February 21, 2025
Virginia’s underground grindcore scene is reignited with the release of Asymmetrical by Drugs of Faith. Known for a storied past filled with demos, EPs, splits, and singles, the band returns after more than 13 years without a full-length album. This release also marks the addition of Richard Johnson—renowned for his work with Agoraphobic Nosebleed—on both guitar and vocals, a collaboration that underscores the band’s deep roots in the genre.
With a runtime of just 21 minutes, Asymmetrical packs an intense sonic assault featuring ten tracks that blend rapid-fire punk energy and grinding noise. In a culture where U.S. audiences often connect with raw musical expressions seen in cities like Los angeles and New York,the album establishes itself as a form of catharsis for grindcore enthusiasts who seek an escape from everyday monotony.
Critics and fans alike agree that the album emphatically delivers on its promise of noise and chaos. One review noted that the word chaos
appears no fewer than seven times in their track notes, emphasizing the album’s relentless energy.
“chaos”
— Reviewer’s notes
The track “Drones” sets the tone with its opening lead that merges a refined chromatic melody and trilling flourishes,rendered through tumultuous tremolo-picked guitars. Similarly, “Divestment” crafts an unsettling wall of noise, charged with vocals that juxtapose a sneering punk attitude and hardcore energy. For many U.S. listeners, these musical nuances recall the uncompromising spirit of early cross-country punk movements, offering both familiarity and a jolt of disruptive energy.
A notable feature of Asymmetrical is its production, which places drums and bass forward in the mix while relegating the guitars to a more distant position. The bass’s purring rumble provides a grounded progression throughout the songs. Though, this mixing approach frequently enough dampens the impact of the guitar riffs—essential components of the grindcore signature. For example, the track “Gas Mask” benefits from a surprisingly crunchy opening lead where the guitar’s presence is felt without being eclipsed by overwhelming bass distortion.
Side B of the album strives for variation. “The Void” escalates the intensity with a frenzied guitar solo that temporarily restores the prominence of the guitar, while “The Next 100 Years” employs cleaner transitions between passages. additionally,call-and-response shouts on “Essential” inject a refreshing layer into the otherwise relentless grindcore framework.Despite these moments, the overall sound remains homogeneous—its brevity diluting potential impact for listeners who favor more layered and innovative arrangements.
It becomes clear that Drugs of Faith is offering an experience designed primarily for committed grindcore aficionados. As one critic stated, Drugs of Faith won’t change your life through musical innovation, mind-blowing melodies, or relentless variety. But it’s just about entertaining enough for existing grind aficionados seeking 20 minutes of catharsis.
This sentiment highlights both the album’s raw appeal and its intentional limitations, setting realistic expectations for its audience.
In recent months, discussions in U.S. music forums and among underground collectives have reflected on the evolving nature of heavy music production. Experts emphasize the importance of balancing instrument exposure to avoid sonic overcrowding—a debate that resonates with production challenges in genres ranging from metal to punk.These fresh insights suggest that while drugs of Faith’s experimental production delivers a unique sound, it may also signal avenues for further exploration and refinement in future projects.
Moreover,case studies from regional music hubs such as Austin and Seattle reveal a growing trend where experimental production techniques are embraced as a form of artistic expression. This shift mirrors the innovative spirit of Asymmetrical, reinforcing its status not only as a grindcore release but also as an experimental artifact that challenges conventional mixing norms.
Frequently Asked Questions
What is “asymmetrical” by Drugs of Faith?
“Asymmetrical” is the latest full-length release from Virginia’s underground grindcore band Drugs of Faith, marking their return after more than 13 years without an album. The release reaffirms the band’s storied past of demos, EPs, splits, and singles.
Who is featured on this release?
The album introduces richard Johnson—renowned for his work with Agoraphobic Nosebleed—who joins the band on both guitar and vocals, underscoring their deep roots in the genre.
How long is the album and what does it include?
the album runs for just 21 minutes and contains ten tracks. It delivers an intense sonic assault that blends rapid-fire punk energy with the grinding noise characteristic of grindcore.
What are some notable production elements of ”Asymmetrical”?
The production emphasizes drums and bass in the mix, with guitars placed in a more distant role. Such as, the track “Gas Mask” features a surprisingly crunchy opening lead where the guitar’s presence is distinct, yet not overwhelming the bass.
Who is the album intended for?
The release is aimed at committed grindcore aficionados who seek cathartic,raw musical expressions and appreciate the chaotic energy reminiscent of early cross-country punk movements.
How does “Asymmetrical” reflect experimental production techniques?
Beyond its raw appeal, the album’s experimental production—highlighted by discussions on balancing instrument exposure—signals new avenues for artistic expression while challenging conventional mixing norms in grindcore and heavy music.
