A new Belgian dramedy, “All In,” is quickly gaining international attention for its unflinching and often uncomfortable portrayal of tourism, prompting comparisons to HBO’s acclaimed series “The White Lotus.” The six-episode series, which debuted February 1 on Streamz, offers a satirical look at vacationing culture through a distinctly European lens. Featuring a cast led by Paul Maes and Barbara Sarafian, the show is already sparking discussion around themes of cultural clashes and the realities behind idyllic travel experiences.
Is This the Next ‘White Lotus’? New Belgian Series ‘All In’ is Generating Buzz
A new Belgian series, “All In,” is quickly drawing comparisons to HBO’s hit show “The White Lotus,” offering a darkly comedic look at the chaotic world of vacationing tourists. The series, which premiered on Streamz, has already sparked conversation for its sharp wit and unflinching portrayal of traveler mishaps.
The show centers around the often-hilarious, sometimes-disastrous experiences of tourists, and doesn’t shy away from the less glamorous side of travel. As one review put it, if “traveler’s diarrhea was a TV series, it would be called ‘All In.’”
Adding to the excitement, veteran actor Paul Maes makes his television comeback in “All In” nearly 30 years after playing Franky Backeljau. “People will be surprised when I tell them my age,” Maes reportedly said, hinting at a potentially transformative role. The series marks a significant return for the actor, who is poised to captivate a new generation of viewers.
Barbara Sarafian, a well-known Flemish actress, also stars in the series, and her character reportedly clashes with Dutch tourists. “Whether I’m in Rome or Barcelona, I can spot a Flemish person right away,” Sarafian stated, adding a layer of cultural commentary to the show’s dynamic.
Some are already speculating whether “All In” is Luk Wyns’ answer to “The White Lotus,” suggesting a similar satirical approach to exploring the complexities of privilege and cultural encounters. The series is poised to become a talking point in the world of international television, offering a fresh perspective on the popular travel-comedy genre.
The show’s success highlights the growing demand for international content and the appeal of darkly comedic narratives that resonate with audiences worldwide.
