Michael Jackson’s biopic Michael is drawing strong audience interest, with preview screenings generating $12.6 million and positioning the film for a projected $70 million-plus U.S. Opening weekend — the best post-pandemic debut for Lionsgate.
Despite the buzz, critics note the film omits key aspects of Jackson’s legacy, particularly the absence of his children from the narrative. Dutch-language outlets have highlighted this gap, with one Belgian publication observing that while the movie resonates with audiences, it leaves out one Jackson entirely.
Other European reports examine the film’s timing and reception, questioning whether the biopic arrives too soon after years of scrutiny surrounding the pop icon. One Flemish newspaper framed the release as a provocative moment, asking who Michael Jackson truly is in the public imagination today.
A Swiss-German outlet went further, suggesting the film may already be “written off” before its full release, reflecting skepticism about its ability to satisfy both fans and critics. Meanwhile, a Dutch-language report from HLN quoted a source claiming the movie ends where alleged abuse begins, with a warning that revealing certain truths could lead to legal consequences.
Promotional efforts continue, including a ticket giveaway campaign by MAX Vandaag, offering audiences a chance to see the film in theaters.
The biopic arrives amid ongoing conversations about Jackson’s cultural impact, blending celebration with controversy as it seeks to define his story for a new generation.
