Led Zeppelin’s Jimmy Page Agreed to Rolling Stone Interview After Unexpected Connection

Jimmy Page, founder of Led Zeppelin, ultimately agreed to a highly sought-after interview with Rolling Stone magazine in 1975 after a surprising conversation referencing Eagles guitarist Joe Walsh, according to recently resurfaced details of the encounter.

The interview, which took place in New York City, was secured after a lengthy effort by a journalist traveling with the band during their Physical Graffiti tour. Page initially refused, citing a negative review of Led Zeppelin’s first album and a personal dispute with Rolling Stone co-founder Jann Wenner. “When I needed the magazine, they gave us a terrible review,” Page reportedly said. “Now they need me, and I don’t need them. Why should I? For Jann Wenner? Never.”

The breakthrough came during a conversation on Led Zeppelin’s private plane, dubbed the “Starship,” when the journalist pointed out that Joe Walsh trusted him. Page responded, “Well if Joe Walsh trusts you, then I should too,” and agreed to the interview, stipulating that the magazine would not alter any of his words. The resulting article became one of Rolling Stone’s most popular issues, offering unprecedented insight into Page’s life and creative process, and helping solidify Led Zeppelin’s status as rock icons. The band’s influence continues to be felt today, inspiring countless musicians and shaping the landscape of modern music – you can explore their discography on their official website.

During the interview, Page shared details about his childhood and his feelings about the band, revealing, “I’m just looking for an angel with a broken wing…” He also discussed his collaboration with filmmaker Kenneth Anger on the score for Lucifer Rising, a project that reflected his interest in the occult. The interview process was described as a turning point in the band’s relationship with the media, and a significant moment in the history of music journalism, as detailed in Cameron Crowe’s memoir, The Uncool.

Officials have stated that the interview remains a benchmark for long-form music journalism, and the article continues to generate discussion among fans and critics alike.